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March 2017 Hi Everybody...Welcome to the Jeannie Seely, late as usual, Website Message!
I was so in hopes that I would get this done while Ron Harman was out of town so that I could surprise him but...didn't happen.
The TRANSIT Synthesis Workshop focused on the following questions: what drives the quest for social innovation and how does social learning contribute to the creation of new social relations, involving new ways of thinking, knowing, doing and framing?
The workshop focused on the following three themes for discussion: 1) Motivations in transformative social innovation ambitions 2) Processes through which new social relationships are established, contexts that foster satisfaction of basic psychological needs and the role of social learning in such processes 3) The role of social learning in achieving transformative impact.
A few years ago, Gibson issued twelve Scotty Moore signature guitars, a modified ES-295, one of which hangs in Memphis' Rock 'N' Soul Museum today.
Memphis guitar genius Travis Wammack plays a Gibson ES-335 - practically at the speed of light.
Así, el pasado 03 de Julio, Ricardo García Mira, contribuyeron con su conocimiento y experiencia enla materia.
Stomp organizers the Mystic Knights of the Mau Mau, a 501c3 non-profit, will descend on the Gibson Guitar Factory in downtown Memphis May 8-10 for a three-day fundraiser benefiting the New Orleans Musicians Clinic and Musi Cares.   The roster for the 2006 Ponderosa Stomp reads like a Gibson guitar dream team of rockabilly, blues, R&B, and soul greats:   First and foremost, there's Scotty Moore, who's been playing Gibson models since 1952.
The release party earlier this year on January 10th was incredible...it was a party!!
I was determined that the work was done and it was time to celebrate...we did.
Actually though, whenever I finally get it done, it always surprises him! We kicked the New Year off with my CD "Written In Song" and it is such an exciting ride.
The CD is a collection of songs that I have written through the years, most of them were recorded by other artists and I had never done them myself.
From his recording debut on the Fernwood Records label at age eleven through his session work at Muscle Shoals and most recently, his gig holding down the guitar chair in Little Richard's band, Wammack has earned a reputation for grinding and wailing that makes him a stand-alone talent.